Download Playmobil: The Movie tamil yesmovies Watch Here 1280p Lino DiSalvo
director - Lino DiSalvo
1 hour 39 M
Resume - Playmobil: The Movie is a movie starring Anya Taylor-Joy, Gabriel Bateman, and Jim Gaffigan. Animated feature film inspired by the Playmobil brand toys
year - 2019
tomatometer - 5,2 of 10
Country - China
Playmobil la película rex dasher. Movie plot When her younger brother Charlie suddenly disappears into the magical, animated universe of PLAYMOBIL, Marla embarks on the adventure of a lifetime to bring him home. Setting off on an incredible journey through new and exciting themed worlds, Marla teams up with various strange and heroic companions, including: Del, a crazed food truck driver; Rex Dasher, a suave and fearless secret agent; a loyal and endearing robot; a hilarious fairy-godmother, and many others! About the movie: PLAYMOBIL: THE MOVIE is the animated highlight of summer 2019. The first motion picture inspired by the popular and award-winning brand of toys, the movie takes the audience on an epic and hilarious adventure through the fantastic, limitless universe of Playmobil. With hilarious and endearing characters, thrilling adventures and breathtaking landscapes, the animated story is uniquely fun and original. Director Lino DiSalvo is a Disney veteran who spent 17 years at Walt Disney Animation Studios. Most recently he served as Head of Animation for the international hit ‘Frozen. PLAYMOBIL: THE MOVIE is in UK cinemas from August 9th. Gallery.
August 6, 2019 11:30PM PT Kid-friendly but disappointingly short on charm or smarts, this toy-based toon largely serves to flatter the 'Lego Movie' franchise by comparison. Tucked in the closing credits of “ Playmobil: The Movie ” is a dedication to Horst Brandstätter, the German entrepreneur whose company began production of the now-iconic Playmobil toys in the 1970s — acknowledging a vast popular legacy for the dinky figurines that now extends to a whole animated feature. Its a nice touch, if a tellingly incomplete one: Unmentioned is Hans Beck, the inventor who designed and developed the toys themselves, and by the end of this snazzy but shrilly synthetic kids romp, its hardly surprising to see business acumen honored ahead of creative input. An attempt to do for the smiling, claw-handed Playmobil collective what “The Lego Movie” did for the humble plastic brick — but without that blockbusters dizzy, self-aware wit and visual invention — Lino DiSalvo s hyperactive film never transcends its blatant product-flogging purpose. The result, brightly stuffed with pirates and vikings and glitter-winged creatures at every turn, will no doubt please very young viewers as it unrolls across Europe and beyond this summer, though it makes precious few concessions to their summer-fatigued parents. (STX Entertainment has pushed the U. S. release to early December, which should at least get a few Playmobil sets on various Christmas wishlists. A former Disney animator integral to the success of “Frozen” and “Tangled, ” DiSalvo piles on the plastic spectacle in his directorial debut, whizzing his audience frantically through a slideshow of disparate dayglo environments that also, of course, handily showcases the breadth of the Playmobil range: the Wild West one second, ancient Rome the next, with dragons and 21st-century cars equally at home in either. The words “Collect em all! ” never actually appear on screen, but the directive is felt. This approach, not so much world-building as world-displaying, ensures that “ Playmobil: The Movie ” never stalls: Like a child eagerly showing off their toy collection, its always got something new and sparkly to wave in our faces. It does, however, show up the distracted raggedness of the films storytelling, which is heavy on moment-to-moment activity and perilously light on consequential action. A thin quest narrative, patched together from “Peter Pan, ” “Labyrinth” and assorted Disney-Pixar offcuts, plunges two orphaned New York siblings into the iridescent cartoon universe of Playmobil, essentially stranding them there until both reconnect with the childhood joy they once knew. No prizes for guessing what they played with in those halcyon days. An over-extended live-action prologue introduces perky high school senior Marla (Anya Taylor-Joy, very far from the cool adult rigors of “Thoroughbreds” and “The Witch”) whos preparing to travel the world once she graduates. The first of several unmemorable musical numbers details all the planned adventures that she and her fanciful kid brother Charlie (the talented Gabriel Bateman, appearing more juvenile than in “Childs Play”) have hitherto only enacted in plastic. Yet when tragedy strikes and her parents are killed in a car accident — a tactful reveal that may nonetheless strike an overly glum note for very small fry — her dreams are deferred. Cut to four years later, and the responsibilities of guardianship have hardened and dispirited Marla in ways only a clumsily engineered visit to a magical branded model fair can remedy: Beamed into a sprawling diorama of the three-inch wonders, she and Charlie emerge as animated, Playmobilized versions of themselves. Well, she has; Charlie gets to be a fierce, tattooed Viking warrior, immediately hero-worshipped by his fellow Norsemen for prowess in battle. (Boys seemingly have most of the fun in this universe, while girls get to be fairy godmothers or vindictive villainesses. Within minutes, hes abducted by maniacal Roman emperor Maximus (Adam Lambert) who it turns out is building a gladiator squad of imprisoned heroes from other Playmobil lines: pirates, Amazonians and even Rex Dasher, a slick-but-dim 007 clone voiced rather plummily by Daniel Radcliffe. Its up to Marla to traverse this disordered realm and rescue him, with a wisecracking assist from food-truck driver Del (Jim Gaffigan) and occasional stops for songs that, even when handled by actual pop stars like Lambert and Meghan Trainor, have remarkably little melodic staying power. Despite ostensibly strong emotional stakes upfront, with our heroine burdened by familial grief and guilt, its hard to care much when it feels like so much pretext for a feature-length commercial — in particular, a tacked-on moral championing the liberating virtues of pure imagination rings a bit hollow amid the avalanche of obvious merchandising. Where “The Lego Movie” subverted this irony with its own wry meta-commentary on the tension between product and character, “Playmobil: The Movie” is neither as thoughtful nor as playful, having less fun than you might think with the built-in absurdities and anachronisms of a crazy-quilt toyland where cowboys and dinosaurs live side by side. Even the “Angry Birds” films found more scope for outright hilarity in their cynical framework. Meanwhile, after the films first, amusing animated scene, in which Marla struggles to adapt to the stiff joints of her Playmobil body, the figurines are swiftly treated as any other madly scrambling (and scrambled) cartoon characters. If youre hoping for at least one sight gag at the expense of the Playmobil populations signature horseshoe-shaped paws, for example, none comes; even the corporate branding here isnt all that distinctive. From a purely technical standpoint, DiSalvos Mouse House-honed expertise is evident in the soda-pop sheen of the animation, fully embracing the airbrushed fluidity of computer graphics where one might have expected at least a tip of the hat to the stop-motion aesthetic of the toys themselves. Here, as in so many other departments, “Playmobil: The Movie” could stand to be scrappier, to shed some focus-grouped slickness for a soul of its own. “Adventure is worthwhile in itself, ” Marla observes, quoting her childhood heroine Amelia Earhart; for all its organized chaos, this proficient promotional exercise hardly walks the talk. Hong Kong on Monday severed nearly all of its land and sea connections with mainland China as part of growing measures in Asia to slow the spread of coronavirus. The move makes it ever more likely that Hong Kong FilMart, the biggest film industry trade market in Asia, will be postponed. A decision is to. German film and TV company Telepool, jointly owned by Hollywood actor-producer Will Smith and Swiss investor Elysian Fields, is moving forward in multiple areas of the entertainment business, CEO André Druskeit tells Variety. Druskeit reveals a major new acquisition for its German distribution arm, and Julia Weber, head of theatrical sales and acquisitions at Telepools. “Scare Me, ” written and directed by first-time filmmaker Josh Ruben, is a spook show stripped to the basics. A boy and a girl, Fred and Fanny (Ruben and Aya Cash of “Youre the Worst”) hole up in a snowbound cabin swapping scary tales by the fireplace. He postures as a horror novelist, director, screenwriter and. The experiment known as Biosphere 2 may be best remembered now — when remembered at all — as something that spawned “Bio-Dome, ” the godawful 1996 comedy that is nonetheless many peoples favorite movie involving Pauly Shore or Stephen Baldwin. (Of course, others might get hives at the very idea of having a favorite anything involving. The shares of Chinas entertainment companies crashed within minutes of stock markets reopening on Monday morning. Many firms saw share trading quickly halted after prices moved by the 10% maximum daily limit allowed on mainland Chinese equity markets. Film studio Huayi Brothers Media plunged 9. 9% to RMB 3. 81 per share. Wanda Film was down 10. 01. Disney Plus unveiled the first footage from its upcoming Marvel TV series — “WandaVision, ” “Loki” and “The Falcon and the Winter Soldier” — during the Super Bowl. The 30-second trailer teases the expanding comic book world that will unfold on Disneys streaming service. The new series are set in the Marvel Cinematic Universe and will. James Bond made his way to Super Bowl LIV, debuting a new trailer for “No Time to Die. ” The footage, putting the spotlight on Daniel Craigs British spy, promises the 25th “Bond” movie “will change everything. ” The 30-second clip also sees Lashana Lynchs 00 agent in the cockpit as Craig asks, “Have you ever flown.
Critics Consensus Much like the toys it advertises, Playmobil: The Movie seems sadly destined to be regarded as a superficially similar yet less desirable alternative to the competition. 17% TOMATOMETER Total Count: 59 61% Audience Score Verified Ratings: 196 Playmobil: The Movie Ratings & Reviews Explanation Tickets & Showtimes The movie doesn't seem to be playing near you. Go back Enter your location to see showtimes near you. Playmobil: The Movie Videos Photos Movie Info When her younger brother disappears into the colourful and animated world of Playmobil, Marla is forced to abandon her organised and structured life to rescue him. Finding herself on an incredible and unpredictable adventure within this new world, Marla begins to see potential she never dreamed of. Rating: PG (for action/peril and some language) Genre: Directed By: Written By: In Theaters: Dec 6, 2019 wide Runtime: 110 minutes Studio: STXfilms Cast News & Interviews for Playmobil: The Movie Critic Reviews for Playmobil: The Movie Audience Reviews for Playmobil: The Movie Playmobil: The Movie Quotes News & Features.
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Playmobil: La peliculas. Edit Storyline When her younger brother Charlie unexpectedly disappears into the magical, animated universe of PLAYMOBIL, unprepared Marla must go on a quest of a lifetime to bring him home. As she sets off on a fantastic journey across stunning new worlds, Marla teams up with some unlikely and heroic new friends - the smooth-talking food truck driver Del, the dashing and charismatic secret agent Rex Dasher, a wholehearted misfit robot, an extravagant fairy-godmother and many more. Through their vibrant adventure, Marla and Charlie realize that no matter how life plays out, you can achieve anything when you believe in yourself. Plot Summary, Add Synopsis Taglines: Actual size of epic adventure not shown here. See more » Details Release Date: 6 December 2019 (USA) Also Known As: Playmobil: The Movie Box Office Budget: EUR63, 000, 000 (estimated) Opening Weekend USA: 656, 530, 8 December 2019 Cumulative Worldwide Gross: 15, 937, 338 See more on IMDbPro » Company Credits Technical Specs See full technical specs » Did You Know? Crazy Credits In a mid-credits, a security guard finds Maximus in his cage and places his on Mount Olympus. The scene ends with the sound of Maximus' laughter. See more » Soundtracks Rex Dasher Written by Anne Preven, Heitor Pereira, and Lino DiSalvo Dialogue by Blaise Hemingway (uncredited) and Greg Erb (uncredited) and Jason Oremland (uncredited) Performed by Caitlin Notey and Anne Preven See more ».
Playmobil: La PelÃculasse. In cinemas December 6 STORY In PLAYMOBILs animated action adventure, a top secret organization has caused citizens from different lands to vanish from thin air. The dashing and charismatic secret agent Rex Dasher (Daniel Radcliffe) must partner with smooth-talking food truck driver Del (Jim Gaffigan) and Marla (Anya Taylor-Joy) a smart, savvy civilian with her own secret agenda, to rescue them. Against unthinkable odds, the trio go on a fantastic journey across stunning new worlds as they gather clues for their rescue mission. CAST & FILMMAKERS Cast: Anya Taylor-Joy, Jim Gaffigan, Gabriel Bateman, Adam Lambert, Kenan Thompson, Meghan Trainor and Daniel Radcliffe Director: Lino Disalvo Producers: Aton Soumache, Dimitri Rassam, Moritz Borman, Alexis Vonarb, Alex Von Maydell, Timothy Burrill, Bin Wu Screenplay By: Blaise Hemingway and Greg Erb & Jason Oremland Story By: Lino DiSalvo Gallery.
Playmobil: The Movie Theatrical release poster Directed by Lino DiSalvo Produced by Aton Soumache Dimitri Rassam Moritz Borman Alexis Vonarb Screenplay by Blaise Hemingway Greg Erb Jason Oremland Story by Lino DiSalvo Based on Playmobil Starring Anya Taylor-Joy Jim Gaffigan Gabriel Bateman Adam Lambert Meghan Trainor Daniel Radcliffe Music by Heitor Pereira Edited by Maurissa Horwitz Production company Method Animation ON Animation Studios DMG Entertainment Distributed by Pathé Distribution Release date 10 June 2019 ( Annecy) 7 August 2019 (France) 6 December 2019 (United States) Running time 99 minutes  Country France  Language English Budget 40 million  Box office 15. 4 million  5] Playmobil: The Movie is a 2019 English-language French computer-animated musical adventure comedy film based on the German building toy Playmobil. The film is directed by Disney veteran Lino DiSalvo, in his directorial debut, written by Blaise Hemingway, Greg Erb and Jason Oremland, and produced by On Animation Studios. The film stars the voices of Anya Taylor-Joy, Jim Gaffigan, Gabriel Bateman, Adam Lambert, Kenan Thompson, Meghan Trainor and Daniel Radcliffe. The film follows a girl named Marla who tries to save her brother from a Playmobil world the two are sucked into, and becomes involved in the midst of a population-capturing scheme by Emperor Maximus. Premiering as the opener of the June 2019 Annecy International Animated Film Festival, Playmobil: The Movie began theatrical runs in France on 7 August 2019 by Pathé, in the United Kingdom on 9 August 2019 by StudioCanal, and in the United States on 6 December 2019 by STXfilms. Playmobil: The Movie was panned by critics for being a perceived feature-length advertisement; most criticism was of the poor storytelling, generic songs, and worldbuilding problems, with several negative comparisons to The Lego Movie. It was also a box-office bomb, grossing 15 million on a 40 million budget, and in the United States had the worst opening weekend ever for a film playing in over 2, 300 theaters.  Plot [ edit] Marla is a formerly free-spirited girl who has grown up to be responsible yet overprotective in order to care for her brother Charlie, who has grown lonely and disconnected from her after the death of their parents. One night, Charlie sneaks out to visit a toy museum with a Playmobil exhibit. After Marla arrives and scolds Charlie for running away, a lighthouse illuminates them and transports them to the Playmobil world. Marla and Charlie find themselves in the middle of a Viking battle, and Charlie helps them until he is kidnapped by some pirates. Frantic to find her brother, Marla goes to the nearest town hoping to ask for help, and runs into Del, the driver of a food truck whose client refuses to pay him over pink hay that causes the town's horses to sprout wings. As Marla tries to form a posse to find Charlie, Del gets her out of trouble when she shows Viking gold to the whole town, and agrees to help Marla find her brother in exchange for the gold. Marla and Del run into Rex Dasher, a secret agent and an old friend of Del. Rex explains that a number of characters have disappeared, and the group sneaks into a villainous spy headquarters to find information about the disappearances. Despite some issues, they successfully gather the data and escape, but Rex is later captured by the pirates. He is taken away to Constantinopolis and finds Charlie, who had been locked up with other characters by Emperor Maximus, who intends to have the prisoners fight to their deaths. Rex tells Charlie that Marla had been looking for him, which encourages Charlie to break away. However, he later allows himself to be recaptured so the other characters could escape. Del recognizes that a device used by the pirates belongs to Glinara, an alien crime lord. After meeting with her in exchange for information, Del offers to pay twice as much as he owes her. Glinara agrees and reveals that she sold the device to Maximus. However, Del is unable to uphold his end of the bargain, as Marla only had two pieces of gold left. Angered, Glinara captures them and attempts to drop them into a portal, but they are spared by Glinara's robot servant Robotitron, who hacks the portal and drops the group into a forest. Del leaves the group, upset by Marla's deception. Marla and Robotitron get lost in the forest until Marla accidentally hits a fairy godmother, who encourages her to continue her search and sends her to Constantinopolis. Arriving at the city, Marla reaches a coliseum where Charlie is about to fight a Tyrannosaurus rex. Charlie and Marla work together to fight off the T-Rex, but to no avail. Del soon arrives with his food truck, and Marla uses the last of Del's pink hay to turn the T-Rex harmless. An enraged Maximus orders his guards to arrest them, but the guards reveal themselves to be Rex and the missing warriors, who then lock Maximus inside a cage. As everyone celebrates their victory, Marla and Charlie use the T-Rex to fly back to the lighthouse and return to the real world, where it is revealed that they were missing for only five minutes. On good terms, Marla promises to Charlie that their relationship will be mended. In a mid-credit scene, one of the security guards finds a figure of Maximus on the floor next to a cage. As he places him on top of Mount Olympus, Maximus's laugh is heard. Cast [ edit] Anya Taylor-Joy as Marla Brenner. Charlie's sister, who also voices Marla's Playmobil form. Lino DiSalvo cast Taylor-Joy for the "texture" of her voice, and described her performance as "believable and emotional. 7] Gabriel Bateman as Charlie Brenner. Marla's brother, who also voices Charlie's Playmobil form. As DiSalvo explains, when I met Gabriel, I totally saw a kid that Spielberg would cast. 8] Ryan S. Hill plays a 6-year-old Charlie. Jim Gaffigan as Del. A food truck driver who supports himself with several side jobs and is Marla's best friend. Daniel Radcliffe as Rex Dasher. A secret agent who helps Marla. While normally reluctant to play spy roles in films, Radcliffe accepted the part of Dasher because "there is something incredibly fun about playing an unbelievably confident, kind of to the point of being an oblivious, person who is constantly undercut by other characters who make him realise that maybe he's not as smooth as he thinks he. 9] As he explained on The Zoe Ball Breakfast Show, Rex Dasher is a Playmobil version of James Bond. There's a ridiculous thing that will sound suitably ridiculous to your listeners, because they know that it would be ridiculous for me to play James Bond in real life. But because I have an English accent I go to America, a lot of people think and say something to the effect of, You should be James Bond. And I say, No, you're wrong. So the chance to play Playmobil James Bond was like, That seems a little more my speed. 10] On an April 2019 airing of The Graham Norton Show, Radcliffe displayed a figure of Dasher that was sent to him by the director.  Adam Lambert as Emperor Maximus. The tyrannical ruler of Constatinopolis. Heavily playing with Playmobil figures as a kid, Lambert stated that enjoyed playing the part: He's an obnoxious, ridiculous, comical bad guy. He's got like Napoleon complex, he's incredibly narcissistic. He loves the sound of his own voice. He's spoiled. He's a brat. And he usually gets his way. 12] He explained that he played the character as himself "on a really bad day. and said performing the musical number was his favorite part of working on Playmobil.  Kenan Thompson as Bloodbones A pirate captain. In addition to the role's Broadway-level singing demands, the nasal-y-voiced Thompson also had to perform his lines in a guttural tone, which gave him a "headache. 14] Meghan Trainor as The Fairy Godmother. An unnamed fairy godmother who Marla encounters in a forest. It was Trainor's childhood dream to play a fairy character, but also a very difficult task: Ive never smiled so hard in my life to make this girl happy and I was jumping up and down. 15] Trainor's involvement in Playmobil: The Movie began while writing "Run Like The River" for her album Treat Myself. "I remember meeting someone who was like, this should be in the movie. explained Trainor; and a week later, she presented the song to DiSalvo: It looked like it blew his mind. 15] Lino DiSalvo as Robotitron. A robot employed by Glinara. Maddie Taylor as Glinara. An alien crime lord. Kirk Thornton as Ook Ook Dan Navarro as Viking Leader Paloma Michelle as Valera, an Amazon warrior.  Spike Spencer  Production [ edit] Development [ edit] An animated feature film based on Playmobil figurines, produced by On Entertainment, Wild Bunch and Pathé, was announced in November 2014 and originally expected to be released at the end of 2017.  The film originally involved Bob Persichetti as director and screenwriter. The film would be the first in a trilogy of theatrical animated films based on Playmobil. Persichetti initially pitched the film to Sony Pictures Animation. Although Sony tried to buy the pitch, it fell through. He was eventually offered instead to direct the 2018 superhero film Spider-Man: Into the Spider-Verse.  The film was animated in On Animation's Canadian facilities. The film was also originally supposed to be distributed by Cross Creek Pictures.  ON Animation's producers acquired the rights for the film circa January 2016.  On 9 February 2016, Lino DiSalvo came on board to direct the 75 million budgeted film, replacing Persichetti. Dimitri Rassam and Aton Soumache of On Animation Studios produced the film.  23] On 12 May 2016, Open Road Films acquired the US rights to the film, whose screenplay was written by Blaise Hemingway. It marks DiSalvo's directorial debut after spending 17 years at Walt Disney Animation Studios. Alexis Vonarb, Axel Von Maydell, and Moritz Borman also produced the film.  Maydell was first associated with the Playmobil brand fifteen years before the film's release, when he was involved in producing interactive games for the company.  Heitor Pereira 's involvement was announced on 21 June 2017.  On 17 November 2017, it was reported that Wendi McLendon-Covey would star in the film.  In June 2018, the film's production was underway and some details of the film were revealed, during a session at Annecy International Animated Film Festival.  In October 2018, lead voice cast was announced which included Anya Taylor-Joy, Gabriel Bateman, Daniel Radcliffe, Jim Gaffigan, Meghan Trainor, and Adam Lambert, while Trainor and Lambert would also write and sing original songs for the film.  Writing [ edit] DiSalvo instantly got to work on animatics following Open Road's acquisition, completing five animatics in Los Angeles in Montreal before work on the assets began.  The first 15 months of the film's production was spent in Los Angeles, with a crew of ten people. When the project moved to Montreal, 300 people ( more than half of the animation crew at a typical Disney movie" were involved.  Both DiSalvo and Hemingway, long-time friends, re-watched their favorite 1980s films like E. T. the Extra-Terrestrial (1982) in writing Playmobil; Hemingway explained that both the movie and the old-school films they referenced knew "how to find what is magical in the most mundane situations. 30] The producers wanted to capture a child's emotion of playing with toys with Playmobil, 25] which meant DiSolvo had to research. He interviewed more than 200 fans of Playmobil from across the globe, 31] finding that the toy series was mostly enjoyed for its role play element, where "they dont tell you who the hero is — the player defines who the hero is. 21] Thus, he went for a role-playing vibe in writing the film's story.  DiSalvo also revisited his childhood home to look at the toys he played with as a kid.  The German Playmobil company also sent every Playmobil set ever released to the Los Angeles development location, and the writers used them to conceive characters. A food truck and a figure wearing a Hawaiian shirt, for instance, led to the creation of Del.  Initially, the writers planned Playmobil: The Movie to start with either a shot of an opening storybook or a narration, similar to most fairy tale movies. These ideas were rejected due to not being "organic" enough for the overall product.  They finally chose to have opening and closing live-action sequences: Marla, has lost touch with the childs point of view that she used to have. It felt right to show her in a live-action world where there is no magic. When she finds herself in a very magical situation — which is the entrance to the world of Playmobil, it becomes the catalyst for the whole movie. 21] Animation [ edit] Playmobil: The Movie was animated with Autodesk Maya.  Julien Bocabeille supervised the film's animation team that consisted of 56 animators.  Being that Playmobil: the Movie was a story about wish fulfillment, the scale was one of the biggest priorities. According to production designer Rémi Salmon: We see those toys from a kid's eyes, not what he has in front of him but what he imagines. The pirate in his hand has a stiff plastic cape, but when he plays, he sees the cape floating in the wind. 21] The animators' biggest challenges came in the set designs and character animation.  While each Playmobil universe varied in tone and lighting due to their differing styles, they had to have some consistences with the Playmobil world.  The Fifth Element and the works of J. J. Abrams were influences in designing the city of Glinara.  Having "a touch of richness and life" in the film's Playmobil world depended on not just the lighting being "pushed pretty far in a very cinematographic way; but also the characters, particularly their movements and textures.  While not entirely animated like humans and having plastic hair and skin, the toys were given "a 20 percent freedom to bend and stretch" and wrote actually cloth-made attire for close-up shots.  The animators had to work with limits that came with moving the Playmobil figures, especially when it came to animating faces. The faces are 2D shapes imposed onto 3D heads, meaning that big parts of how human faces are expressed (cheekbones, nose and jaws) are not present.  Coming up with a convenient workflow for animating 2D faces on 3D objects was another challenge, which Jeremy Ringard and Claude Levastre was responsible for. They first came up with the idea of modeling and rigging the features as 3D shapes, but this lead to problems of Z-fighting, intersection and "floating" appearances in close-up shots.  They then thought of a "texture flipbook" where the animators chose from a set of facial features in order to keep the look of the movie consistent; however, they figured that it would disallow any variations to the expressions and be very expensive due to the amount of storage, texture resolution and file management involved.  Finally, they came up with a system where the animators used 3D-rig-controlled 2D shapes that were converted as a dynamic texture applied on the 3D head in the viewport, and the animation would be rendered real-time through a shader free of resolution or sampling restrictions.  The car Dasher drives is a Porsche Mission E, the 2015 concept version of the Porsche Taycan; Playmobil is the Porsche's first appearance in a major film, and a remote-controlled Mission E toy was released as a movie tie-in.  Themes and style [ edit] Today, we have so many cynical movies and TV shows out there, but I wanted to make a movie about a family coming together. Hopefully, parents and their kids will feel the same way about the movie, and appreciate the truthfulness of Playmobil as we tried to explore the wonderful truth thats in these toys. — DiSalvo on the purpose of Playmobil: The Movie.  Many of us have seen James Bond 's films, Clint Eastwood 's spaghetti westerns, and cloak and sword films as children. When we started to talk about moving from one genre to another, we ended up like kids playing with their Playmobil in the living room! — Playmobil producer Tito Ortiz  According to DiSolvo, the moral of Playmobil: The Movie is, The only rules that matter are the ones you set. 39] As Nick Hasted of The Arts Desk categorized Playmobil, its a breezy B-movie in a genre aspiring to Mad comic satire and grand opera; with a "unpretentious good nature" a la 1980s and 1990s after-school specials.  Due to Playmobil being set in a world filled with different universes, the film caricaturizes and plays with the tropes of several genres, including western films, fantasy, science fiction, and musicals.  In acknowledging inevitable comparisons to The Lego Movie, DiSalvo claimed, The movie Lego relied a lot on comedy and wasn't so much driven by characters, while our film will follow more the Disney tradition of storytelling and is meant to appeal to girls as much as boys. 28] According to Tito Ortiz, Playmobil is about the importance of forgiveness, tolerance, and unity in broken families.  DiSalvo also described Playmobil: The Movie as similar to the Tom Hanks film Big (1988) in that the main character has to think like a child to achieve her goal.  Its premise of two siblings being sucked into a fantastical setting also garnered comparisons by journalists to The Pagemaster (1994. 41] the Jumanji films, 41] and Pleasantville (1998. 42] while the use of a live-action opening and a brother-and-sister relationship was also in The Lego Movie 2: The Second Part (2019. 41] 43] Some reviewers noted the shedding of gender roles in Playmobil, including Hasted: When DiSalvo detours to Playmobils girl-focused range with the arrival of Meghan Trainors tattooed fairy godmother and pink flying horses, Marlas brisk bravery muddles gender stereotypes with similar irreverence. 40] Caroline Siede honored the film's "Be anything you want to be" message for allowing Marla to be any type of character regardless of her gender, 41] and Charlotte O'Sullivan of the Evening Standard called her a better Susan Pevensie: Though interested in lipstick, and keen on being grown-up, she is never dismissed as silly or vain. 44] One NBC News review noted Dasher's "pointed jabs about sexist archetypes. 45] Soundtrack [ edit] Run Like The River" was released as a single on 26 July 2019, and the film's soundtrack album 2 August 2019.  Release and promotion [ edit] Playmobil: The Movie premiered as the opener of the 2019 Annecy festival, which ran from 10–15 June 2019.  As reported by Cartoon Brew, it "was widely criticized by festival attendees and caused large numbers of the audience to leave in the middle of the film. 48] On 17 June, CineEurope presented a trailer and a clip of Playmobil.  Playmobil: The Movie had its first trailer released on 16 December 2018, with a release date set for 16 August 2019.  The second trailer was unleashed on 23 July 2019, the release date changed to 22 November.  51] Each trailer present a different premise: the first presented the film as focusing on Marla trying to save his brother in a Playmobil.  while the second revealed the live-action segments and depicted it as being about Rex Dasher saving the Playmobil population from a secret organization.  Ben Pearson of /Film noted that the marketing strategy "trie[d] to shield its actual plot. 52] He also called the film's animation promising: While the characters are clearly simplified to match the Playmobil toys that inspired them, the animation looks pretty slick and there's some interesting lighting going on in a few of the shots on display here. 52] Chris Evangelista of /Film wrote upon the first trailer's release, It's pretty clear that Playmobil: The Movie is skewing to a young audience. And while this may seem like a cynical cash-grab, many people felt the same way before the first LEGO Movie came out, until the final results proved to be surprisingly enjoyable. Maybe Playmobil will manage to do the same. 42] CNET, also responding to the trailer, opined that "It looks fun and hopefully will boast the same universal appeal as the Lego Movie. 53] Commenting on the second trailer, Screen Rant writer Mike Jones felt the humor had its "own charm and feel" despite being comparable to The Lego Movie: there does appear to be a decent amount of fun, laughs and adventure on display. 50] However, he also questioned the scheduling of "such a small scale" production being scheduled in a season having to compete with Jumanji: The Next Level and Star Wars: The Rise of Skywalker.  Collider 's coverage of the second trailer was ecstatic, noting its "fun" factor and opining it had the same meta humor style as The Lego Movie.  Sarah El-Mahmoud of Cinema Blend summarized, the trailer showcases tons of fun action sequences with fast car chases, dinosaurs, and scared squirrels. One has to wonder if a connection to human kids will also be present in this movie as The LEGO Movie and Toy Story do. However, with the awareness that the film was trying to capitalize on the fame of The Lego Movie, she also had skepticism toward its success due to the weak box office of The LEGO Movie 2: The Second Part.  A PopSugar journalist claimed, damn, it looks good. also showing enthusiasm for Radcliffe's appearance.  According to Geekspin, a few people already have a hunch that the Playmobil movie will flop at the box office. due to the superior popularity of Legos over Playmobil, and the film's lack of intellectual properties, and star power.  Playmobil: The Movie was released in France by Pathé on 7 August 2019, on 610 screens, and was released in the USA by STX Entertainment on 6 December 2019. It was originally scheduled to be released in the United States by Open Road Films on 18 January 2019, 24] which was later delayed to 19 April 2019, 58] Due to the bankruptcy of Global Road, STX bought the U. S. distribution rights to the film in early April 2019, 59] and set the U. release date to 30 August 2019. On 5 August 2019, STX pushed the U. release date back once more to 6 December 2019, among other schedule changes of other films from STX that reportedly happened due to STX having limited cash flow, and wanting to pull their resources in to support Hustlers, although STX has denied that this was the case.  Upon its release in the United States on 6 December, STX reportedly encouraged theaters to offer tickets to all showings of the film for just 5 USD, a significantly lower cost than most American movie tickets.  The film news site Moviehole also gave away ten family passes of Playmobil.  In other territories, Playmobil was released to theaters in Belgium, the Netherlands, and Switzerland on 7 August 2019; 63] 64] 65] Bolivia and Israel on 8 August 2019; 66] 67] the United Kingdom on 9 August 2019, 68] Mexico and South Africa on 16 August 2019; 69] 70] Costa Rica, Nicaragua, Panama, Honduras, and Slovakia on 22 August 2019; 71] 72] 73] 74] 75] Germany, Singapore, and Thailand on 29 August 2019; 76] 77] 78] Poland on 23 August 2019; 79] Austria, Indonesia, Spain, and Venezuela on 30 August 2019; 80] 81] 82] 83] Egypt and the Philippines on 4 September 2019; 84] 85] Bahrain, Jordan, Kuwait, Lebanon, Oman, Qatar, the Dominican Republic, and the United Arab Emirates on 5 September 2019; 86] 87] 88] 89] 90] 91] 92] 93] South Korea on 11 September 2019; 94] Czech Republic, Malaysia, Paraguay, and Uruguay on 12 September 2019; 95] 96] 97] 98] Iceland on 13 September 2019; 99] Bulgaria and Sweden on 20 September 2019; 100] 101] Hungary on 26 September 2019; 102] Finland and Romania on 27 September 2019; 103] 104] Portugal on 3 October 2019; 105] Ecuador on 4 October 2019; 106] Argentina on 10 October 2019; 107] Estonia, Lithuania and Latvia on 25 October 2019; 108] 109] 110] Colombia on 7 November 2019; 111] and Australia on 12 December 2019.  In Australia, Seven Network 's show Sunrise promoted it with a giveaway where two winners received a Playmobil Prize Pack for both tickets to the film and toy sets.  The Sunday Times ran a contest where five people could enter to win tickets, with one of them winning an Instax mini-camera in addition.  On 4 February 2020, Playmobil: The Movie VR Adventures, a virtual reality video game, will be released on Steam.  Reception [ edit] Box office [ edit] Playmobil: The Movie has grossed 1. 1 million in the United States and Canada, and 14. 3 million in other territories, for a worldwide total of 15. 4 million.  5] In France, Playmobil opened to 604 theaters before performing at a maximum of 683 in its third week; it opened at number five with an opening weekend ground of 963, 910, and by the end of its seven-week run, it grossed a total of 2, 627, 246.  In the United States, Playmobil: The Movie opened in 2, 300 theaters; 116] industry experts predicted the film would have a three-day opening gross of around 905, 000  and would likely become a box office bomb.  Preview screenings on 4 December and 5 December were very low, 4 December totaling around 40, 000 and 5 December 230, 000.  As The A. V. Club summarized, STX is dropping it into U. theaters the weekend after Thanksgiving without press screenings, giving it the authentic discount-bin appearance of a toy store going out of business. 119] 120] The US marketing budget was limited to roughly 3 million, 121] RelishMix reporting a lack of social promotion of any of its stars except for one tweet from Trainor.  STX set the marketing money this low due to the film's poor international box office.  Boxoffice Pro analyzed the film "would open just two weeks after Frozen II, one week before Jumanji: The Next Level, two weeks before Star Wars: The Rise of the Skywalker, and less than three weeks before Spies in Disguise — all of which are shoe-ins to attract young audiences and dwarf potential interest in PLAYMOBIL. 123] According to STX president Kevin Grayson, This is a 52-week-a -year business and we were looking for an opportunity to utilize the early December play date. 122] According to Deadline Hollywood, Playmobil was released only weeks after Frozen II and used a variable pricing strategy where STX and many theater chains offered 5 tickets.  Originally projected to gross 600, 000–800, 000 on its opening day, Playmobil grossed just 167, 000, making it the third-worst opening day of all time for a 2, 000-plus theatre production, behind Delgo (2008) and The Oogieloves in the Big Balloon Adventure (2012. 121] fourth if counting the 2014 re-release of Saw (2004) and 24th if also including films with between 1, 000-1, 999 theaters.  125] It went on to gross 660, 000 in its opening weekend (an average of 287 per-venue) the fourth-worst of all-time.  Shortly after the weekend, Grayson responded that STX would use variable pricing in their future projects: we have already learned from this experiment. And we will continue to learn more and will tweak it for the future so it can be the benefit to the industry that we know it can be. 122] While the film's several worldwide distributors recouped TV sale money, they also financed it via pre-sales and thus face losses.  Rebecca Rubin, a Variety writer, attributed the low box office to the Playmobil brand being far less popular than Lego.  Critical response [ edit] On Rotten Tomatoes, the film holds an approval rating of 16% based on 59 reviews, with an average rating of 3. 72/10. The site's critical consensus reads: Much like the toys it advertises, Playmobil: The Movie seems sadly destined to be regarded as a superficially similar yet less desirable alternative to the competition. 126] On Metacritic, the film has a weighted average score of 25 out of 100, based on 13 critics, indicating "generally unfavorable reviews. 127] Audiences polled by CinemaScore gave the film an average grade of "B+ on an A+ to F scale, while those at PostTrak gave it an average 1. 5 out of 5 stars, with 36% saying they would definitely recommend it to a friend.  In the PostTrak grade, adult audiences made up 31% of poll, children under 12 69% the adult gave the film an average two-and-a-half stars, the kids under 12 around 3. 5 to four stars.  The New Zealand online publication Stuff named it "a strong contender for the worst film of 2019. 128] Reviewers primarily criticized Playmobil: The Movie for being more of an advertisement than a compelling story that practiced its moral about being bold and adventurous.  130] 131] 132] 133] 134] In a Rotten Tomatoes editorial, the site said critics generally called it "a regrettably mediocre outing that offers little aside from a barrage of colorful images and a brisk but ultimately generic and uninspired story. 135] As, calling it "the worst animation of the year so far. put it, the story is boring, the characters are utterly unlikeable, and. one is increasingly struck by the lack of anything new or interesting in the film whatsoever. Its lack of imagination or creativity is painful. 136] A couple of reviews viewed it as part of a major problem of poorly-done toy films from Hollywood.  131] Several reviews made negative comparisons to The Lego Movie, 132] 137] 133] 134] 138] such as a Variety review by Day Lodge that summarized Playmobil: The Movie as The Lego Movie "but without that blockbuster's dizzy, self-aware wit and visual invention. 130] Nell Minow wrote that "it does not even work as a commercial, never showing us why these toys could be especially fun to play with. and called the settings and toys "bland and generic. 139] Some critics found it way too safe for a film about imagination, 133] 43] including Katherine McLaughlin of The List: The references are simply too familiar to excite, as it coasts along on nostalgia and a well-worn formula. 43] According to The Observer. Playmobil shamelessly steals ideas. This eyesore of a cash-in lifts plot elements from Thor and Jumanji, then thinly threads them together with a few songs and shrill mantra about the need for adventure. 140] Multiple errors in worldbuilding were spotted by critics, 141] such as its odd mixture of replications of historical and fictional settings; 142] and the overly-realistic textures  and movements of the Playmobil figures.  139] As Minow explained, After a whole scene establishing the limited mobility of the Playmobil characters, they suddenly switch to being able to have human-like joints and range of motion. 139] Clariss Loughrey asked, Shouldnt everything be plastic? Then why do the horses have fur. 142] Yolanda Machado noted, Marla cant figure out how to walk without the use of knees and yet, a minute later, shes running. 141] Maryann Johanson noticed even more issues with the figure movements: A big joke is made out of how Marla, in her Playmobil body, can't walk because she has no knees. and then knees inexplicably appear and she can walk fine. Everyone has elbows, too, which the toy figures also don't have. And everyone is stuck with those clamshell hands, yet are still able to manipulate chopsticks. 144] As Paul Whitington felt, the themed kingdoms they visit only seem to have been chosen because Playmobil do toys based on these scenarios: sometimes, as in the wild west sequence, they are passed through virtually without comment. 145] The live-action sequences also garnered some derision; 134] one reviewer opined it felt "like something out of an ‘80s movie. 45] while another panned the sequence's stiff direction.  Salt Lake City Weekly called all of the film's concepts "all pointlessly random and head-smackingly dumb, even when it sounds on paper like it might be funny. 146] According to Machado, Playmobil: The Movie suffered from storytelling "whiplash. using the "mishmash of odd characters" and the sudden death of the main characters' parents as examples.  The A. Club criticised the choppy plot and erratic pace, reasoning it made Playmobil: The Movie "poorly conceived at every story turn, unable to even stick to a particular generic message to make up for its extremely basic humor. 147] The film's hurried speed also came up in a Radio Times review that stated it "never stops long enough to make its story memorable. 148] Lodge wrote the film had so little amusement it was absent of sight gags, 130] while Minow bashed the inclusion of parental death as too dark for a kid's film.  An RTÉ review called its emotional moments "heavy-handed and forced. and criticized the parents' death as "solely a plot device for the sake of plot device. 149] The songs were also called forgettable, generic, and "terrible" by several journalists; 139] 134] 130] 41] 136] one wrote that they "have remarkably little melodic staying power. 130] and another analyzed, theres no chorus and the characters simply just say things to a tune. 142] However, some reviewers did highlight Taylor-Joy's singing on the opening number.  41] Playmobil: The Movie wasn't without supporting reviewers. Siede was appreciative towards the "low-key, non-judgmental" writing of the film, praising it for being more "heartfelt and earnest" than other "crass and cheap" offerings usual for children's flicks.  O'Sullivan summarized, for a movie so clearly doubling as product placement, its also fun, a cartoon (bookended by live-action sequences) which allows talented actors to riff on unexpected themes. She called the characters of Del and Rex "properly funny. 44] Most admirations came towards the characters and performances, especially Radcliffe's voice-acting, 142] 40] 43] the campy villain Emperor Maximus, 45] 150] 142] 40] and Taylor-Joy's acting.  40] Hasted opined, Taylor-Joys tendency towards introverted, perhaps dangerous outsiders. finds little outlet in mostly mild Marla, but still makes her harassed heroine warmly sympathetic. 40] References [ edit] "PLAYMOBIL THE MOVIE (U. British Board of Film Classification. Retrieved 17 June 2019. ^ Playmobil, le film (2018. ^ a b c d e f g D'Alessandro, Anthony (7 December 2019. Frozen 2' Already Past 300M+ Leading Dreary December Weekend With 34M. Playmobil' Plummets To 702K. Deadline Hollywood. Retrieved 7 December 2019. ^ a b "Playmobil: The Movie (2019. Box Office Mojo. IMDb. Retrieved 10 January 2020. ^ a b "Playmobil: The Movie (2019. The Numbers. Retrieved 7 January 2020. ^ "Anya Taylor-Joy is Marla. ON Kids & Family. 29 August 2019. Retrieved 9 December 2019. ^ Gabriel Bateman is Charlie. Retrieved 9 December 2019. ^ Flint, Hanna (7 August 2019. Playmobil: The Movie' star Daniel Radcliffe on why he turns down 'big action movie' roles (exclusive. Yahoo! Movies UK. Retrieved 5 December 2019. ^ Showbiz, Bang (17 July 2019. Daniel Radcliffe: It would be ridiculous for me to play James Bond. The List. Retrieved 7 December 2019. ^ Furdyk, Brent (19 April 2019. Daniel Radcliffe Admits He's No Longer Excited To See Toys Of Himself: I've Just Been A Toy A LOT. Entertainment Tonight Canada. Retrieved 7 December 2019. ^ Dresdale, Andrea (6 December 2019. Adam Lambert loved playing the "obnoxious, ridiculous, comical bad guy" in 'Playmobil: The Movie. ABC News Radio. Retrieved 7 December 2019. ^ Adam Lambert is Emperor Maximus. 31 July 2019. Retrieved 7 December 2019. ^ Kenan Thompson is Bloodbones. ON kids & family. Retrieved 9 December 2019. ^ a b Adejobi, Alicia (6 August 2019. Meghan Trainor reveals sassy line that won her Playmobil role: It blew the director's mind. Metro. Retrieved 5 December 2019. ^ Michelle, Paloma [ Palomaofficial] 13 December 2018. This is the 1st time I see my character in all her glory. Valera. what an honor! Non stop chills. This movie looks sooooo bad ass! Comes out August 2019! PLAYMOBIL #PlaymobilTheMovie #WomenInAnimation" Tweet. Retrieved 14 August 2019 – via Twitter. ^ Spencer, Spike [ spikespencer] 25 July 2019. HEY! Have you seen the new Playmobil Trailer yet? I have the amazing good fortune of voicing 4 characters in this awesome movie! MANY THANKS TO Karen Strassman and Lino DiSalvo for the oppurtunity WATCH IT RIGHT NOW. Tweet. Retrieved 26 July 2019 – via Twitter. ^ Keslassy, Elsa (6 November 2014. AFM: On Ent. Plays With Wild Bunch, Pathe on Playmobil Pic (EXCLUSIVE. Variety. Retrieved 22 July 2015. ^ Amid Amidi (18 December 2018. If We Could Do Anything Our Own Way, What Would We Do. A Conversation With 'Spider-Man' Co-Director Bob Persichetti. Cartoon Brew. Retrieved 5 May 2019. ^ Thill, Scott (21 October 2015. ON Animation Studios To Spend 75 Million on a Playmobil Movie. Retrieved 27 February 2018. ^ a b c d e f g h i j k Zahed, Ramin (16 July 2019. It's a Playmobil World After All. Animation Magazine. Retrieved 4 December 2019. ^ Hopewell, Elsa Keslassy, John (9 February 2016. Playmobil' Movie to Be Directed by 'Frozen' Animator Lino Di Salvo (EXCLUSIVE. Retrieved 16 May 2016. ^ Amidi, Amid (10 February 2016. Bob Persichetti Out, Lino DiSalvo in As Director of Playmobil Movie. Retrieved 27 February 2018. ^ a b Pedersen, Erik (12 May 2016. Open Road Grabs 'Playmobil' For U. S., Toon Feature Based On Popular Toys. Retrieved 16 May 2016. ^ a b Press kit 2019, p. 6. ^ Heitor Pereira to Score Animated 'Playmobil' Movie. Film Music Reporter. 21 June 2017. Retrieved 7 December 2019. ^ N'Duka, Amanda (17 November 2017. Wendi McLendon-Covey Joins Voice Cast Of Open Road's 'Playmobil. Retrieved 27 February 2018. ^ a b Keslassy, Elsa (14 June 2018. New Details on 'Playmobil The Movie' Spilled at Annecy Festival. Retrieved 12 October 2018. ^ Wiseman, Andreas (10 October 2018. Anya Taylor-Joy, Meghan Trainor, Adam Lambert & Daniel Radcliffe Among Voice Cast For 'Playmobil: The Movie. Retrieved 10 October 2018. ^ Press kit 2019, p. 8. ^ a b c Michalik, Maddie (5 October 2019. Playmobil: The Movie Is Going to Be Epic. The Pop Insider. Retrieved 6 December 2019. ^ a b Press kit 2019, p. 5. ^ a b c Ringard & Levastre, p. 2. ^ a b c d Press kit 2019, p. 11. ^ Press kit 2019, p. 10. ^ Ringard & Levastre, p. 1. ^ Beresford, Colin (2 December 2019. Animated Porsche Taycan Concept Co-Stars with Playmobil Toys in New Movie. Car and Driver. Retrieved 7 December 2019. ^ a b Press kit 2019, p. 7. ^ Press kit 2019, p. 4. ^ a b c d e f g Hasted, Nick (9 August 2019. Playmobil The Movie review – resolutely kids' stuff. The Arts Desk. Retrieved 7 December 2019. ^ a b c d e f g Siede, Caroline (6 December 2019. Is Playmobil: The Movie just a reskinned Lego Movie. Polygon. Retrieved 6 December 2019. ^ a b c d Evangelista, Chris (16 December 2018. Playmobil: The Movie' Trailer: It's Like 'The LEGO Movie' With Fewer Bricks. Film. Retrieved 5 December 2019. ^ a b c d e McLaughlin, Katherine (5 August 2019. Playmobil: The Movie. Retrieved 7 December 2019. ^ a b O'Sullivan, Charlotte (9 August 2019. Playmobil: The Movie review – Girls rule in a plastic world. Evening Standard. Retrieved 6 December 2019. ^ a b c d Bundel, Ani (7 December 2019. Lego Movie' knockoff 'Playmobil: The Movie' proves Hollywood's toy obsession must end. NBC News. Retrieved 7 December 2019. ^ Atad, Corey (26 July 2019. Meghan Trainor Releases New Song 'Run Like The River' From 'Playmobil: The Movie. Retrieved 7 December 2019. ^ Wolfe, Jennifer (21 February 2019. Annecy Festival To Open 2019 Edition with Premiere of 'Playmobil: The Movie. Animation World Network. Retrieved 7 December 2019. ^ Dudok de Wit, Alex (6 December 2019. In A Year Of Feature Animation Bombs, Playmobil: The Movie' Might Be The Biggest One Yet. Retrieved 6 December 2019. ^ Green, Jennifer (17 June 2019. CineEurope: StudioCanal Teases 'Farmageddon. Playmobil: The Movie' and More. The Hollywood Reporter. Retrieved 10 December 2019. ^ a b c Jones, Mike (23 July 2013. Daniel Radcliffe Is A Secret Agent in Playmobil: The Movie Trailer. Screen Rant. Retrieved 5 December 2019. ^ Pedersen, Erik (23 July 2019. WATCH] Playmobil: The Movie' Trailer: Plastic Fantastics Are Out To Save The World. Deadline. Retrieved 5 December 2019. ^ a b c Pearson, Ben (26 July 2019. Playmobil: The Movie' Trailer Does a 180 From Previous Trailer, Tries to Obscure the Film's Actual Plot. Retrieved 5 December 2019. ^ Keane, Sean (14 December 2018. Playmobil: The Movie first trailer looks ready to take on Lego. CNET. Retrieved 5 December 2019. ^ Gemmill, Allie (23 July 2019. Playmobil: The Movie' Trailer: Daniel Radcliffe Saves the Day as Toy Super Spy. Collider. Retrieved 5 December 2019. ^ El-Mahmoud, Sarah (23 July 2019. Playmobil: The Movie Trailer Debuts Danielle Radcliffe's Toy Secret Agent. Cinema Blend. Retrieved 5 December 2019. ^ Santoro, Alessia (27 July 2019. Catch Harry Pott — Erm, Daniel Radcliffe's Voice in This Hilarious-Looking Playmobil Movie. PopSugar. Retrieved 5 December 2019. ^ Saclao, Christian (23 July 2019. The Playmobil movie trailer represents everything wrong with Hollywood. Geekspin. Retrieved 5 December 2019. ^ D'Alessandro, Anthony (9 October 2017. Open Road Changes Release Dates for 'Midnight Sun. Show Dogs. Playmobil. Retrieved 27 February 2018. ^ Wiseman, Andreas (4 April 2019. STX Boards U. Rights To 'Playmobil: The Movie' Featuring Daniel Radcliffe, Meghan Trainor, Adam Lambert, Anya Taylor Joy. Retrieved 25 August 2019. ^ Fleming, Mike, Jr (2 August 2019. After Denial, STX Moves 'Playmobil' From August 30 to December 6. Deadline Hollywood. ^ Mendelson, Scott. "Friday Box Office: Playmobil' Bombs As Hollywood Again Ignores The Lesson Of 'The Last Samurai. Forbes. ^ Griffiths, Mandy (9 December 2019. Win one of 10 Family Passes to PLAYMOBIL: THE MOVIE. Moviehole. Retrieved 9 December 2019. ^ Playmobil: The Movie (Belgium. Retrieved 8 December 2019. ^ Playmobil: The Movie (Netherlands. Retrieved 8 December 2019. ^ Playmobil: The Movie (Switzerland. Retrieved 8 December 2019. ^ Playmobil: The Movie (Bolivia. Retrieved 8 December 2019. ^ Playmobil: The Movie (Israel. Retrieved 8 December 2019. ^ Playmobil: The Movie (United Kingdom. Retrieved 8 December 2019. ^ Playmobil: The Movie (Mexico. Retrieved 8 December 2019. ^ Playmobil: The Movie (South Africa. 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Retrieved 8 December 2019. ^ Playmobil: The Movie (Finland. Retrieved 8 December 2019. ^ Playmobil: The Movie (Romania. Retrieved 8 December 2019. ^ Playmobil: The Movie (Portugal. Retrieved 8 December 2019. ^ Playmobil: The Movie (Ecuador. Retrieved 8 December 2019. ^ Playmobil: The Movie (Argentina. Retrieved 8 December 2019. ^ Playmobil: The Movie (Estonia. Retrieved 8 December 2019. ^ Playmobil: The Movie (Latvia. Retrieved 8 December 2019. ^ Playmobil: The Movie (Lithuania. Retrieved 8 December 2019. ^ Playmobil: The Movie (Colombia. Retrieved 8 December 2019. ^ a b "Win 'Playmobil' movie tickets and a prize pack. Seven Network. 2 December 2019. Retrieved 5 December 2019. ^ WIN a family pass to Playmobil: The Movie PLUS a Fuji Film Instax Mini Camera. The Sunday Times. 21 November 2019. Retrieved 5 December 2019. ^ Playmobil: The Movie VR Adventures. Steam. Retrieved 11 December 2019. ^ Playmobil: The Movie (France. Retrieved 8 December 2019. ^ Rubin, Rebecca (3 December 2019. Frozen 2' to Ice Out Box Office Competition Again. Retrieved 4 December 2019. ^ Milligan, Mercedes (6 December 2019. Industry Watchers Predict a Rough Week for 'Playmobil. Retrieved 7 December 2019. ^ Scott, Ryan (4 December 2019. Playmobil: The Movie' Doesn't Stand a Chance Against 'Frozen 2' This Weekend. MovieWeb. Retrieved 5 December 2019. ^ A Skywalker will rise and awards contenders will compete this December at the movies. The A. Club. 5 December 2019. Retrieved 5 December 2019. ^ Barnhardt, Adam (6 December 2019. Playmobil: The Movie Projected to Bomb at the Box Office. Retrieved 6 December 2019. ^ a b McClintock, Pamela (7 December 2019. Box Office: Frozen 2' Crosses 800M Globally, Ices 'Playmobil: The Movie. Retrieved 7 December 2019. ^ a b c d e Rubin, Rebecca (9 December 2019. Box Office Bomb: Playmobil' Flops in Historic Fashion. Retrieved 9 December 2019. ^ Robbins, Shawn (11 October 2019. Long Range Forecast: The Calm Before December's Box Office Storm. Boxoffice Pro. Retrieved 7 December 2019. ^ Mendelson, Scott (7 December 2019. Forbes. Retrieved 7 December 2019. ^ Barnhardt, Adam (7 December 2019. Playmobil: The Movie May Set Record for Lowest Box Office for Film Opening in Over 2K Theaters. Retrieved 8 December 2019. ^ Playmobil: The Movie (2019. Rotten Tomatoes. Retrieved 12 December 2019. ^ Playmobil: The Movie Reviews. Metacritic. Retrieved 10 December 2019. ^ Tuckett, Graeme (12 December 2019. Playmobil: The Movie: Everything is awful. Stuff. Retrieved 12 December 2019. ^ Collin, Robbie (8 August 2019. Playmobil: The Movie review: like being beaten over the head with the Argos catalogue. The Daily Telegraph. ^ a b c d e Lodge, Guy (7 August 2019. Film Review: Playmobil: The Movie. Variety. ^ a b Stewart, Sara (5 December 2019. Toysploitation films: Enough already. New York Post. Retrieved 5 December 2019. ^ a b Hunter, Allan (11 June 2019. Playmobil – The Movie' Annecy Review. Screen Daily. Retrieved 5 December 2019. ^ a b c Mintzer, Jordan (10 June 2019. Playmobil: The Movie' Film Review. Retrieved 5 December 2019. ^ a b c d Clarke, Daniel (7 August 2019. Playmobil: The Movie – Shameless, terrible promo for German plastic dolls. The Irish Times. Retrieved 5 December 2019. ^ Fujitani, Ryan (6 December 2019. Dark Waters Is Certified Fresh. Retrieved 6 December 2019. ^ a b Molumby, Deirdre (9 August 2019. Playmobil: The Movie. Retrieved 7 December 2019. ^ Bradshaw, Peter (9 August 2019. Playmobil: The Movie review – borderline dopey kids' adventure. The Guardian. Retrieved 5 December 2019. ^ Schneider, Steve (4 December 2019. The Aeronauts. Playmobil: The Movie' and more films opening in Orlando. Orlando Weekly. Retrieved 6 December 2019. ^ a b c d e Minow, Nell (6 December 2019. Playmobil: The Movie movie review. Retrieved 6 December 2019. ^ Ide, Wendy (11 August 2019. Playmobil: The Movie review – a fake plastic copy. The Observer. Retrieved 7 December 2019. ^ a b c Machado, Yolanda (7 December 2019. Playmobil: The Movie' Review: Feature-Length Toy Commercial Lacks Wit and Heart. TheWrap. Retrieved 7 December 2019. ^ a b c d e f g Loughrey, Clarisse (8 August 2019. Playmobil: The Movie, review: A feature-length toy ad that has little of substance to offer. The Independent. Retrieved 6 December 2019. ^ Richards, Olly (5 August 2019. Empire. ^ Johanson, Maryann (5 December 2019. You'll be wishing for Lego while enduring the plastic horrors of Playmobil: The Movie. Inlander. Retrieved 7 December 2019. ^ Whitington, Paul (8 August 2019. Playmobil: The Movie review: An oddly joyless little animation - goes about its business with brisk, dead-eyed efficiency. Irish Independent. Retrieved 6 December 2019. ^ Renshaw, Scott (6 December 2019. Movie Reviews: The Aeronauts, Honey Boy, Playmobil, Waves. Salt Lake City Weekly. Retrieved 7 December 2019. ^ Hassenger, Jesse (6 December 2019. Playmobil: The Movie should have stayed in the toy box, or at least gone direct to streaming. Retrieved 6 December 2019. ^ Luxford, James. "Playmobil: the Movie. Radio Times. Retrieved 7 December 2019. ^ Brennan, Sinead (8 August 2019. RTÉ. Retrieved 7 December 2019. ^ Dotson, Spleeny (12 August 2019. Starburst. Retrieved 7 December 2019. Works cited [ edit] Playmobil: the Movie Presskit" PDF. UniFrance (in French. 2019. Retrieved 5 December 2019. Ringard, Jeremy; Levastre, Claude (28 July 2019. Facial pipeline in playmobil: the movie. SIGGRAPH. Retrieved 7 December 2019. External links [ edit] Playmobil: The Movie on IMDb.
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Movie vimeo Playmobil: The*Movie*WATCH*ONLINE*FULL*FREE*2018. Playmobil: La peliculas online. Playmobil: La PelÃcul de. Playmobil la película final. Playmobil la película (2019. Playmobil: La PelÃ. Playmobil 3a la pel c3 dacula precio. Playmobil 3a la pel c3 dacula pdf. Playmobil 3a la pel c3 dacula manual. Playmobil la película dvd. YouTube. Playmobil la pelicula 2019 trailer en espana. Following its second weekend, its safe to claim On Animations Playmobil: The Movie as one of the most expensive animation box office disasters of all-time. Someones going to have to do the math at some point to figure out just how much money the film has lost, but it has now clearly joined the ignominious pantheon of feature-length cartoon bombs like Mars Needs Moms, Titan A. E., and Delgo. Playmobil grossed a meager 143, 735 in its second weekend from 2, 337 theaters, good for 23rd place at the North American box office. The film, with a reported budget of 75 million and distributed stateside by STX Entertainment, screened a single time per day at most theaters, with few theaters running it beyond three daily screenings. The film plummeted 74% from an already rough first weekend, and after 10 days, it remains about 33, 500 shy of the 1 million mark. NOTE: This paragraph has been updated with final weekend box office numbers. ] Words seem inadequate to explain how poorly this film has done at the box office. There have been other bombs this year – last month, for example, we watched Arctic Dogs make its feeble debut, yet even that film has grossed over five times the earnings of Playmobil. At the end of the day, Playmobil will be the worst-performing title of all-time to launch in as many theaters (2, 377) as this film did. The only two films that opened in 2, 000+ theaters whose final box office total may be less than Playmobil are The Oogieloves in the Big Balloon Adventure and Delgo, but when the grosses of those earlier films are adjusted for inflation, Playmobil could still wind up claiming the absolute bottom for any first-run feature film opening in 2, 000 or more theaters.
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Playmobil: la película. Playmobil la pelicula nia. Playmobil la película personajes. If you read the reviews, you could get the impression that the main flaw of the Playmobil movie is the fact that it's not the Lego movies. Yes, thank you, we know that.
This movie does NOT try to be a clone of the Lego movies. Strangely, most reviews I have read seem to have a problem with that. The Playmobil movie is not full of meta jokes or references to other movies. The movie does not make fun of the quirks of old Playmobil sets. It's not self-aware. The characters don't know that they are toys. The fairy godmother behaves exactly like a fairy godmother; she's not behaving oddly or making sarcastic jokes. If you are expecting all those things, you are simply in the wrong movie.
The Playmobil movie is exclusively targeting children, not adolescents or adults. From this point of view, it's a solid movie. The 3D animation looks a bit outdated but it brings very well the look and feel of the Playmobil toys to the big screen. The story is okay but I think it would have been better to spend more time on the characters instead of rushing through the different sceneries. There are locations that don't contribute anything to the story (e.g. the scene with the lava and the dinosaurs on the road) while potentially interesting characters like the fairy only have a short appearance. But again, that's me as an adult overanalyzing a children movie. Children will probably enjoy to see all their favourite Playmobil themes.
Nell Minow December 6, 2019 A movie "inspired" by a line of toys has one essential challenge—to be more than a feature-length commercial. Tops in that category are " The Lego Movie " and " The Lego Batman Movie. with " Trolls " following behind. "Playmobil: The Movie" comes much further down the list, just before " UglyDolls. which couldn't even get its message straight about how beauty is what's inside. It's not a spoiler to say the message here is that we should all be open to adventure and play. But it drags along, the 110-minute running time seeming even longer than that. And it fails to justify itself as a film, with a lackluster storyline that does not try to keep consistent the rules of the world it creates. After a whole scene establishing the limited mobility of the Playmobil characters, they suddenly switch to being able to have human-like joints and range of motion. It does not even work as a commercial, never showing us why these toys could be especially fun to play with. Advertisement More troubling, this is a movie for young children that begins (in live-action) with a teenager and her six-year-old brother opening the door of their home to a pair of police officers, who have come to tell them that their parents have been killed in an accident. Stories about children need to get the parents out of the way somehow so the kids can have an adventure, but this is too intense and shocking for film's tone and likely to upset younger children. It then jumps ahead four years, as the now-22-year-old Marla comes home exhausted, the burden of her responsibilities having taken all of the sense of fun and adventure out of her life. "It's like when Mom and Dad died, you died, too, and we're just pretending to be a family. her now-ten-year-old brother Charlie ( Gabriel Bateman) tells her. So, she probably needs more than a magical trip to toyland to cheer her up, but that's all we're going to get. Marla ( Anya Taylor-Joy) discovers that Charlie has run away. She uses his cell phone's tracking device to find him at a not-yet-open toy fair with a massive display of Playmobil toys including a castle, pirate and Viking ships, and a Roman Coliseum-style amphitheater set up for gladiator battles. There is also a lighthouse with a magical ray of light that transports them into the world of the toys. Marla is a Playmobil version of herself, but Charlie transforms from a child into a burly Viking with a beard. Charlie has been captured by the evil Emperor Maximus ( Adam Lambert) who says he will give the people what they want—brutal trial by combat. Charlie joins a collection of warriors including an Amazon, a futuristic bounty hunter, and a pirate captain ( Kenan Thompson) assembled by Maximus as gladiators. Marla is determined to rescue him. And so, she has the adventure she dreamed of before her parents died, visiting all kinds of different lands (but is there really a Playmobil kit to build a seedy nightclub that's run by a worm-creature) She meets an assortment of characters, with the stand-outs being the super-cool and elegant British spy Rex Dasher (voiced by Daniel Radcliffe) and a fairy godmother whose most important magical power is encouragement (voiced by Meghan Trainor. Most of her time is spent with Del ( Jim Gaffigan) this movie's version of The Dude, an easygoing guy who wears Hawaiian shirts, sells "enchanted" pink bales of hay, makes a mean burrito, and is in debt to the worm-creature. The settings, like the songs, and, let's face it, the toys, are bland and generic. "Playmobil: The Movie" might help pass the time on a snow day, but it is nowhere near as entertaining as whatever stories kids will make up for their toys themselves. Reveal Comments comments powered by.
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